• Gold Disc Award (Nights of Key Largo, 2008) Swing Journal, Japan
  • Top Ten Jazz Album of the Year (Beyond the Blue, 2013) Clive Davis, UK Sunday Times
  • Top Ten Jazz Album of the Year (Picture in Black and White, 2018) Clive Davis, UK Sunday Times
  • Number One Best Jazz Vocal Album of the Year Picture in Black and White, 2018) Ken Dryden, New York Jazz Record
  • Number One Best Jazz Vocal Album of the Year (Picture in Black and White, 2018) NPR Jazz Critics Poll (W. Royal Stokes and Ken Dryden)
  • Number One Best Jazz Vocal Album of the Year (Picture in Black and White, 2018) WVCR-FM (Jay Hunter)
  • Jazz Album of the Week (Beyond the Blue, 2013) Clive Davis, UK Sunday Times
  • Jazz Album of the Week (Picture in Black and White, 2018) Jane Cornwell, London Evening Standard
  • Jazz Album of the Week (Picture in Black and White, 2018) Clive Davis, UK Sunday Times

“World class. Must see.” Don Heckman, Los Angeles Times 

Pencil Tessa Souter in early. She first appeared [at the Rochester International Jazz Festival] in 2007 and has been back more often than not since then. In that time, she’s amassed more complimentary adjectives than any other singer in the festival.” Rochester Democrat & Chronicle 

“The one show not to miss, best of day and best of entire [Rochester International Jazz Festival]. The ethereal vocalist, a hit at previous festivals, is a truly original and artful stylist.” Jack Garner, Rochester Democrat and Chronicle 

New York Times critics pick and two-time Sunday Times magazine Top Ten Jazz CD of the Year (2013 and 2018), New York-based Anglo-Afro-Caribbean vocalist Tessa Souter /’su:ter/ is a “beguiling artist who infuses everything she interprets with voluptuous intelligence and keen emotional insight.” (KQED Arts) Mentored by jazz legends Mark Murphy, who called her “a true musician and extraordinary talent, remarkable and very moving,” and NEA Jazz Master Sheila Jordan, who puts her “at the top of my list of great talent,” the critically-acclaimed singer’s gorgeous voice and penchant for exploring music mostly untouched by other vocalists, has “set her apart as one of the few exceptional standouts in the crowded field of female jazz singers.” (Los Angeles Times)

A beautiful voice and a beautiful soul. She really moves me.” Sheila Jordan, NEA 

“There are many singers who can wow us with vocal prowess, yet there’s something raw and real about hearing Tessa Souter sing,” wrote John Payne in the LA Weekly. “Basically a self-taught musician, she is not afraid to take big risks in her performances with surprising takes on often just as surprisingly un-standard repertoire, from jazz arrangements of  ‘Eleanor Rigby, Cream’s ‘White Room’ and Nick Drake’s ‘River Man’ to covers of Brazilian compositions by Milton Nascimento and Dori Caymmi, modern jazz tunes by Wayne Shorter and Kenny Barron, originals such as her own mesmerizing ‘Usha’s Wedding’ and superb arrangements of classical stuff by Chopin, Beethoven, Debussy and others. It’s the sound of an artist doing things her own way.”

“A singer of rare poise and intelligence, Souter has distinguished herself over the past decade or so as one of jazz’s most interesting vocal artists.” Andrew Gilbert, San Jose Mercury News 

Souter, “who may have been genetically predisposed to the blend of cultures reflected in her music, which contains Middle Eastern, Brazilian and flamenco elements in an airy jazz framework” (Philadelphia City Paper), has cast an increasingly wide musical net, from her Flamenco-tinged debut, Listen Love (Nara, 2004), to her Gold Disc-awarded Nights of Key Largo (Venus, 2008), to her London Sunday Times Jazz Albums of the Year, Beyond the Blue (Motéma, 2012), with an all-star band helmed by legendary jazz pianist Steve Kuhn, and Picture in Black and White (NOA, 2018), a meditative exploration of her bi-racial heritage. The latter was also Album of the Week in the London Evening Standard and Number One Jazz Vocal Album of the Year for WVCR-FM’s Jay Hunter, as well as Ken Dryden’s and W. Royal Stokes’ Number One choice in the Downbeat Critics Poll. Souter is currently at work on her sixth album.

Singers like her don’t come along every day.” Neil Tesser, Chicago Examiner

She has performed all over the world, including (as featured star) multiple tours of the philharmonic halls of Russia, SF Jazz, the Kennedy Center Millennium Stage, Dizzy’s Club Coca Cola, Mezzrow, the Blue Note, Jazz Standard, Pizza Express, Ronnie Scott’s, the London and Edinburgh Jazz Festivals, Jimmy’s Jazz and Blues, Star Eyes (Nagoya), Body and Soul (Tokyo), and the Blue Notes in New York, Beijing and Shanghai. Pre-pandemic, her 17-year monthly residency at New York’s iconic 55 Bar was frequently standing room only. She has made seven sold out appearances at the Rochester International Jazz Festival, including at Kilbourn Hall in 2015 when she was the subject of a one-hour WXXI PBS program. John Nugent, co-producer and artistic director of the  festival, told the Rochester Democrat & Chronicle, “Tessa Souter has become a favorite of (festival) fans not only because of her beautiful voice and amazing artistry but because of her warmth as a person. She is a beautiful human being who relates to her audiences as well as any artist we’ve ever presented.”

‘Beyond the Blue’ (Chopin’s Prelude in E minor with Tessa’s lyrics), Blue Note, New York
Caravan, Xerox Rochester International Jazz Festival. Excerpt from interview and full concert filmed by PBS.Read about the bonkers lead up to this performance HERE

Lonely Woman/Eleanor Rigby, Novosibirsk Concert Hall