SHADOWS AND SILENCE: THE ERIK SATIE PROJECT REVIEWS

“A once in a decade recording.”

c. Michael Bailey, wild mercury rhythm (click HERE)

“SOUTER’S VOICE WORKS NATURALLY WITHIN THIS MILIEU, HER BUTTERSCOTCH timbres gliding smoothly from track to track.

JOHN EPHLAND, DOWNBEAT (4 STARS) (CLICK HERE)

“Like the late Abbey Lincoln, Souter’s wordsmithery concerns big, even existential topics, such as the nature of beauty and the essence of existence …  moving, engaging, and highly emotional … this is something I actually want to listen to.”

will friedwald, new york sun (click HERE) LIVE REVIEW

“The accomplished singer, of Afro-Trinidadian and English parentage, not only has a life story out of a movie, but it’s reflected in this epic work of reimagined music composed by Erik Satie … and her ability to reach the emotion in a lyric is exceptional, especially in French: she has the rare capacity to transcend language.”

ANDREW PORETZ, NIGHTLIFE EXCHANGE (CLICK HERE) LIVE REVIEW

“This outstanding album from vocalist and lyricist Tessa Souter marks her out once again as a risk-taker who bends material to make it entirely her own.”

PETER QUINN, JAZZWISE MAGAZINE (CLICK HERE)

“An artist of such astonishing depth, she seems to breathe underwater … Souter’s lyrics are in league with Joni Mitchell and Norma Winstone … a work of true brilliance.”

Tara Minton, UK JAZZ NEWS (Click HERE)
“‘Avec le Temps’ provides what is arguably the album’s emotional climax. Her rendition is stunning, featuring Perdomo’s superb piano accompaniment and a striking bass solo by Nakamura.”
ANDREW SCHINDER, NEW YORK CITY JAZZ RECORD (CLICK HERE)

“FEW VOCALISTS MEASURE UP TO THIS HIGH STANDARD.”

Vic L. Schermer, ALLABOUTJAZZ (CLICK HERE)

“has a simmering intensity and lyrical quality that fully grasps Satie’s restlessness and avant-garde minimalism.”

MARC MYERS, JAZZWAX,COM INTERVIEW (CLICK HERE)

“Plus qu’un simple hommage, ce disque est une quête personnelle, une traversée des émotions humaines sur fond de jazz raffiné, où l’élégance musicale côtoie la vulnérabilité des souvenirs.”

ERIC COOPER, J’IMAGINE (CLICK HERE)

“an album to listen to with your eyes closed. And your hearts wide open.”

Eric Cooper, j’imagine (English version click HERE)

“highly charged poetic lyrics to starkly spare piano works by . . . erik satie.”

george kanzler, hothouse (click here)

“magnificently crafted … jazz-inspired eloquence … vibrant … beautiful … impASSIONED.”

ANNE CARLINI, GHOST CANYON (CLICK HERE)

“a unique masterpiece of poetic, lyrical and musical art.”

dee dee mcneil, making a scene (click HERE)

“Putting meaningful words to the challenging music of Erik Satie and projecting them with great depth of feeling.”

Lance Liddle, BEBOPSPOKENHERE (CLICK HERE)

“Leave it to vocalist/lyricist Souter to find a way to make these songs fully respectful of Satie’s works and uniquely her own.”

CRAIG L. BYRD, CULTURAL ATTACHE (CLICK HERE)

“widely acclaimed vocalist and lyricist Tessa Souter approaches the work of Erik Satie with jazz-inspired eloquence on Shadows and Silence: The Erik Satie Project.

SIMEON MORROW, VIENNA LIVE (Click HERE)

“jazz vocals fused with classical elegance and global soul.”

NEON JAZZ INTERVIEWS Podcast (Click here)

“DEFINITELY BRINGS ERIK SATIE INTO THE JAZZ REALM.”

JIM MOTAVALLI INTERVIEWS PODCAST (CLICK HERE)